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: I think there is definitely still time.  
: Genie’s  
: agent released a statement verifying that  
: she wants to be on contract and she was  
: totally blindsided by this decision. Not  
: sure  
: of his exact words, but the link is on the  
: board in a post.  I think it was in  
: Entertainment Weekly.  
:  
: James Giddey indicated that Frank does  
: stuff like this on a whim without a good  
: reason.  
:  
: There’s certainly no indication that Genie  
: or any veteran holds up production. Seems  
: like it would be just the opposite.  
:  
:  
: Would Genie even want to do it?  I guess  
: that depends on what the plans were  for  
: Laura, the commitment, her personal  
: situation at that time.  It also would  
: depend on why they let her go in the first  
: place.  Was it a budget problem or something  
: else?  Lots of people move on when contract  
: talks stall, but it isn't done with the kind  
: of brutality and surprise that Genie just  
: endured.  
:  
: It got me to thinking.  Why would Genie have  
: so much difficulty with FV?  Why would she  
: have had problems with JFP?  Aside from  
: contract negotiations. an EP has the prime  
: responsibility to keep production moving.  
: Anyone who throws a snag into the wheels is  
: a problem.  They operate at warp speed over  
: there.  There is no rehearsal to speak of.  
: You get a call to come to the set, you zoom  
: up there, shoot your scene, and you're done.  
:  Someone who requires more attention (hair,  
: make-up, wardrobe, etc) could be perceived  
: as a problem.  It could be something as  
: simple as that.  So, maybe a new EP who  
: would be more tolerant would be able to  
: handle that if it were a problem.  I don't  
: know anything about Genie's situation.  It  
: just seems so strange that an EP would fire  
: a star without any justification, throw his  
: writers into a tizzy, and alienate a huge  
: fanbase.  
:  
:  
: 
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