
Posted by sh enola gay (and pal) on March 8, 2009, 12:36 pm .
129.12.233.123
the vane;
On another track, Enola Gay has never held much esteem in the idea of prisoners - she plays by the rules of this land because it's easier to comply and not because she feels found by them. If she had truly been disinclined to comply, she simply would have smiled most generously and turned her back. Taken to the air, maybe, as had been her original plan, with a happy "to hell with the lot of you!" glance over her shoulder. But this was a much more entertaining way to spend these final hours. And Passchendaele was getting quite a lovely bit of travel in his youth... chalk it all to experience, my poor burnt lonely little child. With thoughts of her son she finds her mind drifting unexpectedly to Chapal; she refuses to dwell on empty musings for long but cannot help a fleeting thought, a quick hope that he might return to them; just for a little while, she thinks, before everything is scattered and everyone is lost, before love is disintegrated by Time, almost as if it were tangible, like stones to sand.
She makes her way over to Fenrisulfr, remembering the fleeting encounter they'd had in Ni'Sirlan before my Vane was nabbed. Their encounters always seemed to be that way, wouldn't you say? Rather fleeting and rather empty, neither really caring for the other and yet bound to one another by blood and perhaps a vague curiosity, that they should indeed be so closely related, and, on Enola's part, that chance should play so peculiar a role as to elevate her abandoned daughter to leadership and some level of fame. The ways of the world amuse Enola Gay most endlessly.
"Hello again, Fenrisulfr." What a strange scenario, to speak to one's only daughter now as prisoner to Queen. Well, would be strange, if Enola were partial to such labels, and could ever feel inferior or weak.
But you won’t find it because of course, you're not really looking.
You don't really want to work it out.
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